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Movies

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REVIEW – “The Art of Racing in the Rain”: Predictable Canine Spirit Runs High and Fast in Another Puppy-Mill Literary Adaptation

By Joe Hammerschmidt | August 9, 2019

Films involving our closest four-legged furry friends, ones we bear the greatest affinity to, they’re obviously nothing new. Dog films to be based on a novel, we’ve already had a…

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REVIEW – “The Kitchen”: A Little Too Much Time Spent Cooking for So Little of a Mob Wife Drama

By Joe Hammerschmidt | August 9, 2019

The summer’s final comic book movie is perhaps the least expected as far as its source material and whether it’d been worth manifesting into a full-length feature. Look at The…

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REVIEW – Say Hello to “The Farewell”, 2019’s Best Family Celebration

By Joe Hammerschmidt | July 19, 2019

[Note: This film presented initially during the 2019 Seattle International Film Festival] Every family is a little different, so many will tell say time and again. In size, shape, strength,…

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REVIEW – “Stuber”: Rideshare Comedy Pumps Machismo to Insanely Middling Degree

By Joe Hammerschmidt | July 12, 2019

The summer box office oft never leaves enough room for any fresh air product to breathe through. Heavy franchise fare whose fans are either reassured or polarized aside, original standalone…

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REVIEW – “Crawl” Paddles, Strokes, Swims Through Uniquely Original, Starkly Classic Summer Horror

By Joe Hammerschmidt | July 12, 2019

The summer movie season usually isn’t complete without at least one horror plot involving dangerous animals (ala Jaws or last summer’s The MEG), dangerous weather (The Perfect Storm), a dangerous…

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REVIEW – “Men in Black: International”: A Soft Reboot That’s Hard to Swallow, Easy to Neuralize

By Joe Hammerschmidt | June 13, 2019

If there’s a studio that knows how to strategically mine valuable IP to the best advantage, clearly Sony’s tracking the most productive pulse, and there’s certainly no disputing their track…

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REVIEW – “Late Night”: Dynamic Workplace Comedy Packs Insufficient Roar

By Joe Hammerschmidt | June 13, 2019

[AN OFFICIAL SELECTION FROM THE 2019 SEATTLE INTERNATIONAL FILM FESTIVAL] Late night television isn’t so much cutthroat nowadays as it would’ve been during the Leno/Letterman wars of the mid-90s. Yet,…

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REVIEW – “Rocketman”: The Gritty, Refreshingly R-Rated Diatribe of a Rock Icon

By Joe Hammerschmidt | June 1, 2019

It’s occurred to me that the jukebox musical hasn’t earned the best reputation, particularly with the examples we’ve seen this century (mostly Mamma Mia 1 and 2). Of course, for…

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REVIEW – “Godzilla: King of the Monsters”: Monster Monarchy Muddles About in Still Captivating Sequel

By Joe Hammerschmidt | June 1, 2019

Five years ago, the second American imagining of Japanese cinema icon Godzilla was met with a mixed consensus. British auteur Gareth Edwards put in every best effort to raise the…

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REVIEW – “Long Shot”: Summer’s First Comedy an Unexpected Political Wall-Crasher

By Joe Hammerschmidt | May 3, 2019

It sounds like a very so-so premise on paper, that could be emerging onto screen eight years too late. Seth Rogen at his raunchiest and/or conscience-driven (or a witty combination…

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